
Lands of the Free: Languages of Improvisation
August 14th-15th and 20th-25th, 2024
Performances
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2023-24 Season Tickets can be used for this Signature Concert
Notated music has always contained a degree of interpretation and improvisation; in the 17th and early 18th centuries, this improvisation played many roles. Sometimes it was decorative ornamentation around written notes, or completely new pieces generated by improvising upon a common bass line. Other times, it was a way of establishing a key or connecting more structured episodes to each other. Styles of improvising differed as much as their nation's languages, and this program explores the ways the lively, charming, and surprising ways they coexisted and influenced each other.
Artists
Carrie Krause, baroque violin
Manami Mizumoto, baroque violin
Phoebe Carrai, baroque cello
John Lenti, theorbo
Program
Johann Caspar Kerll (1627-1693)
Sonata a 2 violins in F
Diego Ortiz (1510-1570)
Recercarda Primera
Isabella Leonarda (1620-1704)
Sonata Settima in A minor, 1693
Giovannie Battista Fontana (1589-1630)
Sonata for 2 violins and bass
Michel Pignolet de Monteclair (1667-1737)
Duet pour 2 dessus sans basse
Nicola Matteis (1650ca-1714)
Suite in F
Passagio Roto a solo violin
Johann Pachelbel (1653-1706)
Musikalische Ergötzung no. 4 in E minor
Arcangelo Corelli (1653-1713)
Op 4 No 10 G major
