Elliot Figg is a keyboardist, conductor and composer from Dallas, Texas. He is a graduate of the Historical Performance Program at The Juilliard School where he studied harpsichord with Kenneth Weiss. He has also studied with Arthur Haas at the Yale School of Music. Elliot is an active member of several New York based early music and contemporary ensembles, including ACRONYM, New York Baroque Incorporated, and New Vintage Baroque. Recent engagements include: Conductor and harpsichordist for L’Amant Anonyme with Little Opera Theatre of New York; assistant conductor and harpsichordist for Cavalli’s Veremonda with Spoleto Festival USA; assistant conductor and harpsichordist for Dido and Aeneas with L.A. Opera; assistant conductor and harpsichordist for Alcina and Orlando with WhiteboxLab. Elliot received Bachelor’s and Master’s degrees in music composition from the University of North Texas where he studied composition with Cindy McTee and Joseph Klein, and harpsichord with Lenora McCroskey. His own works combine baroque performance techniques with altered tuning systems and modern formal approaches.